Behringer is well known for good looking products that are affordable and usable; this rack tuner is no exception. Featuring a stylish led design and a super lightweight construction (yet durable), this is a fine product for its price. It is also a metronome, which is helpful in rehearsal or even performance situations. It lights up clearly and easily to be seen in the dark of a club. There are 2 1/4'' inputs, 2 1/4'' outputs as well as foot pedal relays. The internal computer allows for memorized settings as well as various modes making this more than just a rack tuner.

It should be mentioned however that Behringer gear, on the low-end, can be a little fragile, however once this is racked it shouldn't be removed too often so it will stay safe, it's just that some of their gear has some kind of hard plastic stuff they use and it can easily take on scrapes, mars and even in some cases, knobs are usually found to be falling off or breaking. This isn't the care with this tuner, though. Its internal driven rack is solid and much thought was put into the function of this for the working musician.

A band that tunes at a different note than concert A will find this unit helpful as it will memorize the setting of their detuned note and consider it 'A' when they tune, allowing for a quick job. There is also lines in and out for foot pedals, making this an option when playing live. In the studio it's ideal for any instrument.

Most other models, while of similar or better quality, can't seem to match price with functionability as Behringer does. Their lower end products accurately find the market hole and fill them in; whether it be a multi-use tuner for the rack or a 4 channel phantom powered mixer for an acoustic singer, it seems as though Behringer is a good company for that. Just beware that their hardware can usually buckle under a bit of strenuous activity. This rack unit should provide years of reliable use, taken care of.

The Fender PT-10 (Pedal Tuner) is a very basic one-button pedal that allows you to mute your signal (or run to effects rack, or both) and get precision tuning. It has a silver metal casing with a wide black plastic on/off switch.

This is used, for example, at the beginning of an effects chain from the guitar, or in another case, running out to a rack effect, or both. While the pedal at first appears sturdy, constant use in a live situation may eventually reveal problems, such as pedal sticking, 9v powering issues and overtone/hum when it's active. This is not really the fault of the pedal for the price however; electric tuners are well-known for dampening the 'true tone' of the guitar, but if you need it, try putting a compressor right after it, this will help harness the kind of sound you need. This pedal seems best when it's not over-abused and has a fresh 9V, or a good chain-power wall wart.

Well, the sound quality in this case is different, as we want to know how it DOESN'T affect our tone. When the amp is cranked, don't be surprised if while tuning you hear a funky 'buzz' or 'overtone; however, it often seems fine in one location and then buzzy in another. Ultimately this means that tuning pedals really are sensitive to a number of factors that can in unison combine and mess around with your tone. Explore a number of different methods as to what works for you; for example a friend uses this in his studio exclusively and operates perfectly.

Overall, use caution if you are a heavy stomper; it's caused me to bend over at a gig and mess with it more than once at a gig, but in the application of gentle or studio use, it's a very non-invasive pedal in comparisons to others in its price range. Also beware as the notes themselves are small and difficult to read sometimes in crazy stage setups.

- For how long have you been using it?
A few months.

- What thing do you like most/least about it?
It's amazing! Nothing else i've ever tried does anything like this!
It's small...easy to carry around...and can even work on an acoustic if you practice a little.

- Did you try many other models before getting this one?
Nope, i heard about it & ordered it!

- What is your opinion about the value for the price?
I paid 60 € i think, but i think it's still expensive for what it is. Should be half that, if even that much...

- Knowing what you know now, would you make the same choice?...
It takes quite a bit of practice and if you're into this sort of thing then maybe check out the Moog Guitar...which might be much better.
But, well, listen to Brian May's work on Queen records and that'll give you an idea of what can be done with this thing. It's unique, and it sounds that way.

I've had the Boss TU-2 chromatic tuner for about 3 years now. Its a really simple pedal, but is one of the most valuable in my set up. I bought mine used, but would have been willing to pay full price for a new one now knowing how valuable this is. It gives you the option of simply stepping on a pedal and having your amp muted and a great tuner at your foot. I haven't looked much into the different modes but it seems that you have the option to set your specific tuning (although I am not sure of this). I have only used it in chromatic mode as it allows me to tune each note to whatever I want it to be. Its also quite convenient to have your amp muted while you tune, and is really essential if you are playing live. I also own the daisy chain needed to power other pedals and I suggest that you pick that up as well if you get this pedal. It powers up to 8 other 9v powered pedals if you have the daisy chain and power supply, which is a really convenient aspect. I've also used the similar Fender made tuner and it doesn't do it for me, the lights on the Boss are easier to see in the dark on stage. The price I would say is about right, as the pedal is built extremely tough, like all Boss pedals. I plan to keep mine as long as I continue to play.

The Voodoo Lab Pedal Power 2 Plus is exactly what it sounds like: a power supply for multiple guitar pedals. Voodoo Labs states that each of the 8 9V outputs is completely isolated, short-circuit protected, and highly filtered and regulated to provide power that is free of hum and noise. I will venture to guess that most people using standard wall warts will probably benefit from lower noise by using this supply, as I did. Another benefit is actually ditching all those separate adapters and plugging everything in using one three-prong plug.

As stated previously, the Pedal Power 2 Plus features 8 outputs, which can be configured and used to supply power in several ways. The first four outputs can be used to supply Boss pedals that require ACA power adapters. Outputs 5 and 6 can be used to power Line6 modeling pedals, and outputs 7 and 8 allow voltage adjustments between 4V and 9V to simulate worn batteries. All outputs are configured for these options via a small set of DIP switches on the underside of the unit. There is also an AC auxiliary outlet with a max rating of 200W (they strongly warn not to plug your amplifier into it), which is nice for people with an oddball AC pedal like the Digitech Whammy which usually can't be supplied by a 9V pedal board supply.

This unit can even use two outputs together to power an 18V pedal, though the required connector is not included. And annoyingly enough, while there is a nice selection of connectors supplied, someone with a full pedal board is likely to require additional connectors. The 8 outputs can all be used as normal 9V, and since that is the most common means of powering pedals, it might seem likely that it would come with 8 connectors, but it only comes with 6. There are two additional connectors for Line6 modeling pedals that use a different barrel connector, a 9V battery snap that allows powering a pedal that doesn't have a jack, and 3.5mm mini-plug adaptor. For things like reverse-polarity barrel connectors and 18V connectors, the manual advises you to contact Voodoo Labs.

While it's nice to have a variety of connectors, to me it would make sense to include 8 of the standard connectors because they are the most common. On the plus side, even if you require a seventh connector, at the very least you can use the battery snap and still power the pedal, but this is a little less than elegant and probably not preferred by most people. In my case, I needed only 6, so I lucked out. I don't really plan on buying any Line6 modeling pedals, so the extra connectors for those are a bit useless to me, as is the mini-plug, but you never know.

I applaud Voodoo Labs for their excellent manual. It's short and to-the-point, but includes thorough instructions about setting up pedals and even safety warnings to prevent damage to any of your equipment, leaving no doubt as to whether you might be setting anything up incorrectly. It even includes advice about setting up the actual pedal board itself. Many manuals today are typically either incomplete or difficult to understand, and while there's not much to this unit, it outlines everything it has to and even goes a little beyond, and in my opinion it demonstrates a commitment to their customer that many companies lack. Voodoo's manual makes sure it has your back.

One of the nice touches about this product is that its height was kept short to allow it for fitting in a rack, if you so desire. And even though it only comes with certain connectors, Voodoo Labs can supply just about any connector you'd ever need, like if you wanted a longer length. I initially thought the lengths were a bit short, as I have my pedals sprawled out in a line, but they turned out to be plenty long enough (though I can imagine situations where a person might need longer).

I bought this from Musicians Friend for $170, and while the price is a bit steep, I think it's an invaluable piece of equipment, and is indispensable to my setup. It provides pure, clean power, simplifies the pedal setup, and makes for a much cleaner installation. Voodoo's manual suggests that their support is top-notch, and the unit oozes quality. I'm even more inclined to look into some of their effects pedals after owning the Pedal Power 2 Plus.

These are really good strings, I've used them on my Fender Fat Strat for a while now (3 or 4 years approximately) and from the start I've been impressed by how they sound better and live longer than the Dean Markley and d'Addario that I used before. Even new they don't have that excessive brightness in sound that some other brands provide, and the sound doesn't seem to deteriorate significantly with time (provided a little care, of course -- I use GHS' Fast Fret regularly). I couldn't expect better...

This product is used to both clean and lubricate the strings. It also takes care of the fretboard's wood. Use it first before playing to ensure noiseless slides, and then at the end of your show/rehearsal to keep the strings free from any moisture-related degradation which could occure.

I've used exclusively this brand on my pedalboard for a few months now. The sound is clear, all frequencies seem to be correctly rendered, the patches are adjustable and resizable at need with no necesity to ever solder anything -- what more could we ask!? Signal carried through George L's cables sounds WAY better than Yellow Cables and Fastline, a bit ahead compared with Planet Waves, and no obvious difference can be heard when compared with Monster Cables. For a studio/home studio installation it seems like the perfect cable, still unsure whether it would pass the test of playing on stage with it though (shielding seems a bit unsufficient for this -- but this is the price to pay for such a clear signal sound for recording)...